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» 2010年第12屆å°åŒ—電影çŽå¾—çŽåå–®12th 2010Taipei Film F
stival TAIPEI AWARDS:(圖文版)最佳劇情長片 Best Narrative Feature
《第四張畫》THE FOURTH PORTRAIT
é¾åŸå® CHUNG Mong-hong
å¾—çŽç†ç”± Jury’s Statement:
這部電影開創了一種無法æ¸é¡žçš„å½¢å¼å’Œå…§å®¹ã€‚它ä¸ç´”ç²¹åªæ˜¯è«‡å¤±è¹¤å…’童的å•題,更ä¸åªæ˜¯æƒ³è§¸åŠå¤§é™¸æ–°å¨˜çš„困境。更多時候我們看到的是人和環境ã€å‘½é‹ä¹‹é–“çš„ç³¾è‘›ã€‚å°Žæ¼”è—‰è‘—é¢¨æ ¼åŒ–çš„æ”影和美術讓電影ä¸çš„æ¯å€‹äººéƒ½å°·å°¬ã€ç‹¼ç‹½çš„æ´»è‘—,åƒç«æ¡¶å…§çš„é’蛙跳呀跳的,æ¯å€‹äººéƒ½å¾ˆæƒ³ç†ç›´æ°£å£¯åœ°æ´»è‘—ï¼Œä½†æ˜¯è§€çœ¾éƒ½çœ‹å¾—å‡ºä¾†é€™äº›äººéƒ½è¢«ç’°å¢ƒæ‰æ›²è®Šå½¢æ¨¡ç³Šäº†ã€‚å°äººç‰©æ»‘ç¨½å¾—è®“ä½ æƒ³å“ï¼Œå½±ç‰‡ç¾Žå¾—å¦‚æ¤æ‚²å‚·å’Œå“€å‚·ã€‚這就是導演æ‰è¯æ´‹æº¢çš„地方。
This film, of which the form and content is difficult to be categorized, is pioneering in many ways. Not only does it deal with the issue of missing children and immigrant wives, the film intertwines human, environment, and destiny together. Through stylized cinematography and art direction, everyone in the film appears to live an embarrassing life, just like a frog in a bucket on fire. Everyone tries to justify their own existence, yet we can see they are already twisted by their surroundings. The tragic comic nature of the characters makes us cry. And the film is so achingly beautiful that makes us sad. Such is the talent of the director.
最佳紀錄片 Best Documentary
《乘著光影旅行》LET THE WIND CARRY ME
姜秀瓊 CHIANG Hsiu-chiung∕關本良 KWAN Pun-leung
å¾—çŽç†ç”± Jury’s Statement:
åƒä¸€é¦–敘情的詩,娓娓é“來一個新電影工作者的工作常態。影åƒè¯éº—動人,感情細緻æ•銳。從å®è§€æ•´å€‹æ–°é›»å½±å‰µä½œçš„æœ¬è³ªï¼Œå†ç†æ€§æŽ¢ç´¢ä¸€å€‹å¤§å¸«çš„å·¥æ³•èˆ‡å°ˆæ³¨çš„äº‹ã€‚å¾žç†æ€§æ•˜äº‹åˆ°æ„Ÿæ€§æŠ’情,從生活的å°ç´°ç¯€è§€ç…§åˆ°æ‰€æœ‰é›»å½±å·¥ä½œè€…的情感,濃éƒçœŸå¯¦ï¼Œä¹Ÿæ‰“å‹•æ‰€æœ‰æ„›é›»å½±çš„è§€çœ¾ã€‚å¾ˆèª æ‡‡é¢å°å‰µä½œè€…èˆ‡è¢«æ‹æ”者的觀望è·é›¢ï¼Œå»åˆæœ‰è±å¯Œçš„內心自çœï¼Œä¸²èµ·ä¸€é¦–深刻的光影詩。
Like a lyric poem, the film recounts the work and life of a cinematographer. The images are gorgeous and moving while the emotions are subtle and perceptive. The film explores not only the skills of a master but also the essence of the Taiwan New Wave cinema. The strong emotions of all the filmmakers are shown through small details of life. It is a sincere and reflective poem about light that moves all the audiences who loves cinema.
最佳çŸç‰‡ Best Short
《爸爸ä¸åœ¨å®¶ã€‹DAD’S NOT HOME
陳åšå½¥ Bo-Yan CHEN
å¾—çŽç†ç”± Jury’s Statement:
é›–ç„¶åªæ˜¯éƒ¨çŸç‰‡ï¼Œä¹Ÿåªæœ‰ç°¡å–®çš„é“å…·å’Œå¹³å¯¦çš„æ‹æ”æ‰‹æ³•ï¼Œä½†å°Žæ¼”å»æœ‰çµ•妙的創æ„ï¼Œè®“æ•´éƒ¨ç‰‡é€²å…¥ä¸€å€‹ç•°æƒ³ä¸–ç•Œï¼Œè®“é€™çœ‹ä¼¼å¹³å‡¡é„‰é‡Œçš„å…«å¦æ•…事顯得ä¸å¹³å‡¡ï¼Œä¹Ÿè®“這看似æ„雲慘霧的家åºï¼Œå……æ»¿é»‘è‰²å¹½é»˜ï¼Œæ—¢æ²–æ·¡æ‚²è‹¦ï¼Œä¹Ÿå¢žæ·»å¿ƒé æš–æ„ï¼Œå†åŠ ä¸Šçœ¾æ¼”å“¡çš„æ²‰ç©©è¡¨ç¾ï¼Œè®“é€™éƒ¨ç‰‡é¡¯å¾—æ ¼å¤–çªå‡ºã€‚
Although the props and the style are simple, the director creatively turns an ordinary story into an extraordinary world of fantasy. Accompanied by the wonderful performances of the entire cast, the story of a miserable family in the style of black humor makes this a warm and outstanding short film.
最佳動畫 Best Animation
《簡單作æ¥ã€‹A PIECE OF CAKE
å³å¾·æ·³ WU De-Chuen
å¾—çŽç†ç”± Jury’s Statement:
ç•«é¢¨æ¨¸æ‹™ï¼Œæ•…äº‹å»æ·±åˆ»å‹•人,充滿喜感的å°èªžé…音更是本片的一大功臣,《簡單作æ¥ã€‹åœ¨å½¢å¼å’Œå…§å®¹ä¸Šç›¸è¼”相æˆï¼Œé€™éƒ¨çœ‹ä¼¼ç°¡å–®çš„動畫,蘊å«è‘—è±æ²›çš„親情和鄉æ„,導演è—å‰µæ„æ–¼å¤æ„畫風ä¸ï¼Œä½ä»¥çœŸæ‘¯æ·±æƒ…,讓人動容也讓人難忘。
This is a profound and touching film adorned with an incredibly humorous voiceover in Taiwanese. Its style might appear simple and rough, yet this matches the genuine love toward family and homeland encompassed in the film. With its form fits well its content, this is an unforgettable and moving work in which rich creativity and sincere emotions are revealed.
æœ€ä½³å°Žæ¼”çŽ Best Director
鄿–‡å ‚ CHENG Wen-Tang
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» 2010年第12屆å°åŒ—電影çŽå¾—çŽåå–®12th 2010Taipei Film F
stival TAIPEI AWARDS:(圖文版)u Unclothed
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彌
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›»å½±ç¶²~電影就是O
rz~^^
» 2010年第12屆å°åŒ—電影çŽå¾—çŽåå–®12th 2010Taipei Film F
stival TAIPEI AWARDS:(圖文版)j p Unclothed